Este trabalho, realizado em 2018 e 2019, propõe a reflexão sobre: o corpo feminino e os estigmas sexistas e machistas que se impõe a ele; o modelo renascentista do corpo clássico e perfeito; a obscenidade imposta à nudez, confinada a espaços delimitados pela moral judaico-cristã; e a alienação da produção dos sentidos do corpo.
Uso a estética deste ensaio para me auto representar e a outras mulheres produzindo uma fricção surgida do contato entre performance, imagem e poesia, a partir dos conflitos dolorosos que existiram quando expus meu corpo nu no campo das artes. Com isso, houve a possibilidade da existência de um outro território próprio.
As imagens apresentam: autorretratos e retratos de mulheres, realizadas em longa exposição; reflexos de esculturas em fragmentos de espelhos encontradas em museus e praças de diversos países; paisagens e objetos encontrados na natureza; e poesia. Camadas digitais de textura de mármore vermelho são sobrepostas às imagens.
Trabalho selecionado nas convocatórias: Floripa na Foto com primeiro lugar (Florianópolis, 2019); Foto Sururu com Menção honrosa (Maceió, 2019); Bienal Black Brasil Art (Porto alegre, 2019); Foto em Pauta (Tiradentes, 2020)
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Stone chest
This work, carried out in 2018 and 2019, proposes a reflection on: the female body and the sexist and sexist stigmas imposed on it; the Renaissance model of the classic and perfect body; the obscenity imposed on nudity, confined to spaces delimited by Judeo-Christian morality; and the alienation of the production of the body's senses.
I use the aesthetics of this essay to represent myself and other women, producing a friction arising from the contact between performance, image and poetry, from the painful conflicts that existed when I exposed my naked body in the field of art. With that, there was the possibility of the existence of another territory of its own.
The images feature: self-portraits and portraits of women, taken in long exposure; reflections of sculptures in fragments of mirrors found in museums and squares in different countries; landscapes and objects found in nature; and poetry. Red marble texture digital layers are superimposed on the images.
I use the aesthetics of this essay to represent myself and other women, producing a friction arising from the contact between performance, image and poetry, from the painful conflicts that existed when I exposed my naked body in the field of art. With that, there was the possibility of the existence of another territory of its own.
The images feature: self-portraits and portraits of women, taken in long exposure; reflections of sculptures in fragments of mirrors found in museums and squares in different countries; landscapes and objects found in nature; and poetry. Red marble texture digital layers are superimposed on the images.
Work selected in the calls: Floripa na Foto with first place (Florianópolis, 2019); Sururu Photo with Honorable Mention (Maceió, 2019); Bienal Black Brasil Art (Porto Alegre, 2019); Photo in Agenda (Tiradentes, 2020)
